1,080 Royalty-Free Audio Tracks for "Digital Sound"

Sound from pack: "mobile arcade"100% free!200 hq sfx, and loops. Best used for match3, platformer, runners. I sincerely hope that this is a little bit help you to add some fresh sound for mobile or pc game project. All audio samples developed based on reaktor 6 by native instruments. For crystalling clear and unique sound effect, i polished all audio samples in the sony sound forge pro 11. More content you may found on my site: stormgs. Com.

Oof, here's another audio i made for a roblox project, but never posted. I think i was low on robux or something and i was too lazy to shorten it. I don't know if this would count under the glitch tag, so i'm not gonna add it just yet.

I was playing around trying to create a different sound when i accidentally created this sound which reminded me of a rocket flying by. I thought it might be useful and uploaded it. I kept it a bit longer so you can edit it into a loop or fade it out to make it seem the rocket flies away =). Made with fl studio with the free firebird vst plugin.

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

For my 300th sound i wanted to wait a while until one came up that was right. This is what i present to you as my 300th freesound. A dark and creepy wee drone. From jarred gibb - drones. Keep an eye out for my upcoming pack - mcdonalds.

This is a drum sound i've synthesized using the great free (gpl) synthesizer zynaddsubfx. Arranged and rendered to 32-bit float wav @ 192khz using lmms (linux multimedia studio) - electronic music production program. Divided into separate files and converted to 24-bit flac using audacity. Please read the pack's description:http://www. Freesound. Org/people/unfa/packs/11746/.

A simple sine-generator piped through a slew of wacky effects automated with randomized lfos. I added some cabinet emulation to give it a 'living room' feel but left it dry enough to add additional stereo/reverb processing. P. S. It loops cleanly. Software: bitwig studio.

I was sitting in my car in the city centre of glasgow scotland waiting for a member of my family, so to pass the time i got out my little canon powershot a460 digital camera, wound down my window and recorded the sound of the heavy traffic driving past my car. This sound of mine is for anybody to use, no credit needed, but it would be fun if you can let me hear how you used the sound, if possible, that would be fun. Here is a link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

Not sure how to describe it, so i'll just describe how i made it. . Micro sampled something in g minor, added tons and tons of lfos to filter modulation, with more filters, and eq and utility, and tons of effect plugins like vinyl, lofi2, saturaters, yeah yeah. . All that stuff.

Need a linear spectrogram to render the (circular) logo properly,( freesound's spectrogram scale is logarithmic, so image is distorted here. . . Https://cdn. Freesound. Org/displays/651/651015_1015240_spec_l. Jpg). See. . . Https://blog. Freesound. Org/?p=1438&. . . Https://soundlogo. Wikimedia. Org/. The competition specifies mix of at least 2 sounds. . ". . . Your sound logo should comprise at least two overlapping layers, textures, or sounds. "maybe this [cc0] sonification of the logo could be one of them.

This was meant to be a part of a track i was working on, but ended up getting caught up in something else. So, i decided to give this away to those of you who may have use for it. The most important effect used to make this was absynth 5's atherizer. If anyone needs any of my sounds (or sounds not yet uploaded) customized to meet their preferences, please feel free to let me know, and i'll see what i can do.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

I made a saw wave and put some flanger and paulstretch effects to it on audacity and made this synth-like saw wave inspired by the saw wave sample from the ps1 startup sound. If you want to put a loop to this sound, it's 67109 to 84907 on openmpt. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "honestly, it sounds like a overdriven/distorted guitar to me. ".

This is the sound of attempting to uncork a bottle of champagne with a saber, but, after a few practice hacks that hit the glass neck of the bottle, accidentally cutting off the bottle at the neck. Champagne explodes out and drips onto the ground, which is grassy and dry. Recorded with a boom microphone onto a p2 card via a panasonic hvx200 digital video camera.

A brassy, cartoonish punctuation for movement made using a synthesizer in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

Sound file of "Chester" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

In this piece, the recording of an acoustic guitar was made,with the technique of listening with one ear from several points and distances, since, as we saw in course 2, doing that is like listening to the way in which the microphone picks up the sound; and that is the specific point where the microphone must be. A dynamic microphone, interface and computer with digital audio station was used.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

A recording made around 7:30pm at night in mid october of 2012 of leaves skittering across an asphalt street, making that unique, crackly sound. You will also hear a train off in the distance which i think adds to the sound-scape of fall. At 1:51 into the recording a car whooshes buy and with it, a cluster of leaves trailing behind it trying in vain to keep up. . . That's always been a wonderful sound sequence for me to hear. Recording made with my handy zoom h4n digital audio recorder using a rode ntg2 shotgun microphone. Enjoy.

I found two melodies in gis_sweden's excellent "you deserve it - friday randomness ii"http://freesound. Org/people/gis_sweden/sounds/362508/. And quantized them into a 92 bpm 4/4 thing. Each melody is presented panned, with and without a beat, then simultaneously. It's sort of an accidental counterpoint. I also messed up his nice analog sound into some harsh digital junk. There's a lot of high frequency energy here so watch it, and apologies to mr. Fletcher, mr. Munson and their daughter, curve.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

. Wav created from a "save us" image in a frame. . Added and lowered some frequences with some eq. Simple in and out automation low pass filter. Fade with volume. And a bunch of compression. When you use this noise. Just remember, this was created from an image that said, save us.

Recording of the sound of an electromechanical timer in an electrical outlet for engine heaters. Recorded with the built in microphone of a canon digital ixus 950 is camera (which could be used to record audio only). File straight off from the camera with the exception of id3 tags added with foobar2000 v1. 3. 4.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Sound created and generated with the software "bitmaps & waves" version 3. 10. 1. I'm totally in love with this software, it let's you take an image, and "convert" it into a lovely sound. This was the best one i got so far, the image used can be found here: http://cdn3. Pitchfork. Com/advance/art/535/2172873c. Jpgand the software can be downloaded here: http://victorx. Eu/bitmapplayer. Htm.

Sound description: hundreds of crows squawking on a breezy afternoon. In nature you have a "gaggle" of geese or a "pod" of whales, but a "flock" of birds, if they happen to be crows is actually called "a murder of crows". An appropriate name if you happen to be standing underneath hundreds of them in the trees. They emit a murderous ;) squawk and screech for hours. This was a digital audio recording, done at 48 mhz at a group of trees a mile from a country freeway. You can still hear the ambient sounds of the distant cars.

Results from running randomly-generated neural networks (all weights in neuron connections start random and then slowly drift when generating). Although sample rates used are 44. 1 and 48 khz, sounds pretty lo-fi. The reason could be input compression needed for network to actually work. Each sound channel is an output from two separate neurons in the network. Each sample in this pack is generated by a separate network, as they wasn’t saved anywhere after they produce a thing. Global parameters (output compression, neuron count, drift rate etc. ) aren’t the same from sample to sample, too.

This recording was made in the condominium garden of my building in italy in the province of rieti, where you can hear various noises, such as: cars passing by, my dog barking and running, a passage of a hospital helicopter, while i play with my little dog etc. The recording was done with the shure mv88 digital stereo microphone connected to my iphone 12 pro.

Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Improv jam created using:teenage engineering po-400 modulararturia drumbrutearturia minibrutekorg m3novation circuit. 115 bpmkey of dm. Cool breakdown part towards the middle that could probably be re-sampled for something else. The batteries in the po400 died towards the end of the recording which caused the loud sweeping sound. Doctor dreamchipportland, orapril 2019.

This is a second recording of an hour and 20 minutes always made in the garden of my building in the province of rieti in italy where you can hear various noises such as: cars passing by, people passing by, people greeting me, children's voices, voices of my neighbors and other various noises. This recording was done with my iphone connected to my shure mv88 plus digital stereo microphone.

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

. . . Yeah, it's pretty gross sounding. But maybe that's just what you're looking for! (it's specifically supposed to sound like a guy choking on a small rock. ) not the highest quality (it was recorded on a handheld digital recorder like a decade ago), but maybe someone can find a use for it. Recorded for the point-and-click adventure game, "the beard in the mirror": http://store. Steampowered. Com/app/385840/the_beard_in_the_mirror/.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Recorded with only a small digital video camera at a cafe in pushkar, india. As i sat by the lake one afternoon, two indians sat down on the ground in front of me and began playing this and singing. There is background cafe noises and the odd motorbike going by and beeps, people talking and its not great quality but, someome may like it. . . It is as natural as you can get, raw sounds of india!(unfortunately, i have no idea what they are saying, id love to know if anyone could translate it?)recorded september, 2012.

Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Recorded with a portable alesis digital recorder then widened and lightly manipulated in daw. This is actual foley of a stream recorded at close range. Public domain, do with as you please. If you use i'd love to see how you used it. Works great as a nice environmental sound for film work if laid softly in the background, if it's called for that is.

I captured this sound on my canon powershot a460 digital camera. It was a horrible night, with strong winds and heavy rain. I went to my garden shed and positioned my camera at the small window inside my shed as there is a small hole in the right hand corner of the window, and through this small hole the wind blows through it making this whistle sound, almost like a flute. This sound of mine is for anyone to use, no credit needed, but it would be nice if you could tell me what your going to use it for, if possible, that would be fun. :) http://creativecommons. Org/publicdomain/zero/1. 0/.

Sound file of opening of en:Toccata and Fugue in D minor by J. S. Bach. Needs replacement recorded on an organ--can anyone provide this? Digital recording produced by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file in ".ogg" format of "Vjutro rano", a Croatian folk song thought to be a model used by en:Joseph Haydn in composing en:Gott erhalte Franz den Kaiser. Song is taken from the book Haydn: A Croatian Composer by William Hadow (1897); the copyright on this work is expired. Digital recording of Opus33 playing this tune on a piano. This material is released into the public domain.

So when i launched audacity within gentoo linux, a strange ground loop occurred. However, adjusting the volume settings within alsamixer caused the ground loop to become different per volume settings. The higher the volume, the less noise is produced; the lower the volume, the more noise is produced. I hereby proclaim this into the public domain, no restrictions! have fun, y'all!.

I wanted to make a very gentle wakeup alarm for my android phone. It's a 25-minute long fade in of a pure 3-khz tone. Created with audacity. I encoded this to ogg vorbis for personal use, but i'm sure you can do this better for yourself (maybe you'll prefer other format), so here you have a quality flac file for source.

This sound effect was captured by me on video on my canon digital powershot a460 camera, i stood just above the motorway at charing cross glasgow scotland and captured this sound from the jam packed motorway, both sides were busy, i even caught the sound of a police car coming along the hard shoulder. I simply took the sound from my video. Please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

I captured this sound effect on video on my canon digital powershot a460 camera, i simply took the sound from the video. It was a horrible cold wet night, and the rain was hard, plus there was a strong wind, it was too good to miss. :) please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

Electrical server sounds recorded and sampled from field recording. Mastered and edited through daw software, logic pro x. Theme: sci-fi, horror, ambient, scary, dark, drone, metallic and futuristic. Industrial: electric server, noise. Sizzle, machine, machine gear, mechanics, reverb, large room, scary. These sounds were sampled, recorded and mastered through the digital audio workstation (daw), ‘logic pro x’. This pack is a collection of ambient sounds stylised on an industrial soundscape. Sampling equipment is a ‘htc desire’ (phone). For donation purposes, you can buy my other work here ($4) : https://msfx. Bandcamp. Com/. For non-attribution licensing: send me a private message. Made by msfx.

Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

The origin of this recording is a hob on the highest heat level recording slightly hot. Be very careful if you are doing this as fire is obviously detrimental to organic life and the microphone does not like to be on fire. An "acidized" (marked with loop/cue flags) sample. I imagine a furnace combusting away. Rate-shifting this sample (pitch/speed) can give you variations in your daw (digital audio workstation). This sample in particular feels appropriate for use as a background furnace sound or if sped up, a flamethrower.